There is no evidence in the record that Warhol knew about the licensing agreement. The magazine paid Goldsmith $400 in licensing fees and promised in writing to use the image only in this one Vanity Fair issue. In commissioning the work, the magazine asked Warhol to use as a reference point one of Goldsmith's black-and-white photos. Three years later Prince was a superstar, and Vanity Fair magazine commissioned Andy Warhol to make an illustration of Prince for an article it was running. Newsweek didn't use the studio photo, opting instead to use the concert photo, and Goldsmith kept the other photos in her files for future publication or licensing. The result was an image that she would later say was a portrait of vulnerability. She even set her photography umbrellas to create pinpricks of light in his eyes. Goldsmith photographed him in concert and invited him to her studio where she gave him purple eyeshadow and lip gloss to accentuate his sensuality and his androgyny. At the time the Purple Rain rock star was just starting to take off. ![]() In 1981 Goldsmith was commissioned to shoot a series of photos of Prince for Newsweek. On one side of the dispute is Lynn Goldsmith, famous for photographing rock stars and whose work is on more than 100 album covers.
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